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£50 PRIZE CROSSWORD
Glasgow band, The
Tenementals have released
new versions of the German
anti-fascist anthem Die
Moorsoldaten (The Peat Bog
Soldiers).
The song is well-known in
Germany, less so here despite
versions by Pete Seeger and
Paul Robeson. The
Tenementals’ versions of Die
Moorsoldaten/Peat Bog
Soldiers reimagine the song,
pared down to drums, bass
and Lily Mohaupt’s pure vocals
emphasising the stark and
haunting melody.
As frontman David
Archibald puts it “We take a
tiger’s leap into the past; but
our aim is to blast the song
into the future at a time when
its spirit of resilience in the
face of oppression has great
resonance".
Composed 90 years ago in
1933 by prisoners of
Börgermoor concentration
camp, the song was written as
a “conscious protest song of
resistance against their
oppressors”.
Johannes Esser, a Ruhr
miner wrote the lyrics with
communist actor/director
Wolfgang Langhoff in 1933 as
part of a ‘Circus Konzentrazani’
(Concentration Camp Circus).
The camp commandant
banned it but hundreds of
copies were smuggled out by
prisoners and a few weeks
later Radio Moscow broadcast
the song. By 1936, the song
became the political prisoners’
anthem in Sachsenhausen
camp and found its way into
handwritten concentration
camp song books.
It made its way to Spain in
1937 with the Thaelmann
Battalion of German
volunteers in the International
Brigades. In 1944, Thomas
Geve heard it in Auschwitz.
“Ten years ago,” he wrote,
“this emotional song of
isolated, forgotten German
antifascists was sung in the
desolated moor camps along
the Ems River. Now 400
youthful voices from across
Europe give it new life”.
The Tenementals’ David
Archibald says: “We are alive
to the international
connections that Glasgow and
its inhabitants have made, be
they slave traders or anti-
fascist fighters in Spain. Peat
Bog Soldiers was a major song
during the Spanish Civil war
and no doubt many
Glaswegians who fought in
Spain would have been
familiar with it”.
Checkout The Tenementals
on Strength in Numbers
Records.
ANTI-FASCIST ANTHEM BROUGHT TO LIFE
Alex Gordon reviews two new versions of a German classic anti-fascist anthem